Mostrando las entradas con la etiqueta jpop. Mostrar todas las entradas
Mostrando las entradas con la etiqueta jpop. Mostrar todas las entradas

24 de septiembre de 2009

chinorrismo


mogollón

3 de octubre de 2007

19 de mayo de 2007

Do as infinity


Vamos con algunas producciones de Seiji Kameda. Esta vez un 3 x 1.

Do as infinity: Break of down / Deep forest / New world

17 de mayo de 2007

The Aprils - Space dream bathroom


エイプリルズの宇宙と夢とバスルーム!
スペーシーでドリーミー、そしてバスルームのような温かみとカラフルなポップソングが詰まったニューアルバムが早くも登場です! '80sを彷彿とさせるダンストラックや'90s直系のギターポップなどエイプリルズテイストに再構築した21世紀の大名盤。
ミックス&マスタリングにPlus-tech Squeeze Boxのハヤシベトモノリを迎え、YMCKtetrapletrap-Fなど 多数のゲストミュージシャンが集結した音のシンフォニーを皆さんにお届けます。

The Aprils - Space dream bathroom

15 de mayo de 2007

Marino - Lollipop


marino / lollipop SCPN-23

「日常生活を少しだけポジティブに、おしゃれにしてくれるライフアップサプリメント」 capsuleの中田ヤスタカ氏とPlus-Tech SqueezeBoxのハヤシベトモノリ氏のWサウンドプロデュースによる、marinoのファーストミニアルバム。初期シュクレテイストともいえるカラフルでスウィートなロリポップサウンド。 フォトジェニックなルックスとキュートなヴォーカルで、同世代からの支持も高いフューチャーポップシーン期待の新星デビュー!

Formats: CD / 全5曲 / 税込価格1,575円 2006.10.30(月)発売
Track Listing:
01. lollipop (produced by Tomonori Hayashibe)
02. ララリル (produced by Yasutaka Nakata)
03. tic tac (produced by Tomonori Hayashibe)
04. フレイバー (produced by Yasutaka Nakata)
05. strawberry (produced by Tomonori Hayashibe)

30 de abril de 2007

Soul Source - Jackson 5 Remix Vol. 2


Segunda entrega de los remixes de los Jackson Five facturados en Japón. Creo que tiene algo menos de calidad que la primera parte, pero también resulta interesante.

29 de abril de 2007

Soul Source - Jackson 5 Remix Vol. 1


Desde Japón nos llega este compendio o actualización musical de los hermanos Jackson al gusto brillante y colorido de remezcladores y productores de Jpop. Pueden compararlo con las versiones originales y ya me contarán.

23 de abril de 2007

Hideki Kaji - New Pretty


Mientras esperamos la llegada inmimente de su nuevo disco, editado mundialmente desde el madrileño sello Siesta, os dejo su anterior trabajo.

21 de abril de 2007

Nomoto Karia "Karly"


½ years after the release of first album "Karly" (it was this agenda's first announcement), Nomoto Karia finally has a new album coming up. Of course, it is produced by Konishi Yasuharu, and if you ask him what he thinks about it, he'll tell you that all tracks are worth a single cut! Most tracks are at Karly's favorite 135 BPM (the two others are at 130 BPM).

The limited edition packaging will be a thin cardboard sleeve and will include 4 Karly photo cards. Art direction is by Konishi Yasuharu. Orders at Tower and HMV will receive an original sticker. Also orders at Amazon, Tower and HMV online will receive free PC wallpaper. Be sure to pre-order, just in case!

Some track notes: "Bombastic Hip House Band" features Kawanishi Suguru on turntable. "G.T.O." features Anchovies, Karly's all-girl band with herself on drums. "Girls In Love" is a cover of Andreas Dorau sung in Japanese. "Karly's Dance Music" is a mix of Karly's remixes for "Tokyo wa yoru no 7ji" and "jiyūdo.". "asobi." features Arai Toshiya (Mr.comicstore) on guitar.

20 de abril de 2007

Crazy Kend Band - 777


You could call the Crazy Ken Band a Japanese version of the Bonzo Dog Band, a British group who in the ’60s who excelled at Pythonesque pop parody. Like the Bonzos, the Crazy Ken Band are great musicians with a wacky comedic sensibility. The band’s music is inspired by the kind of sentimental, slightly kitsch pop that dominated the pre-rock Japanese music scene in the ’50s and ’60s. Bandleader Ken Yokoyama’s songs describe an engagingly sleazy, retro-world of seedy nightclubs, dockside intrigue and shifty demi-mondaine characters – like his hometown of Yokohama before it was tarted up. Songs like “GT Gran Turismo” and “Night For V8 Monsters” describe Yokoyama’s passion for cars, while the “The World of Suzy Wong” pays tribute to a Chinese femme fatale. Another song, “Sharimaru” dscribes Yokoyama’s dealings with a Pakistani used-car dealer while working as a customs inspector. In 2002 Yokoyama quit his day job and became a full-time musician, and that risky decision has paid off, as the band have transcended their cult status and have broken into the mainstream with more and more media exposure. Although their CDs make for great listening, the Crazy Ken Band is best appreciated live. (by Steve McClure en Nippop)


seña=corralo

Halfby - And the coati mundi



A bailar!!!