Deb Hyer - One Man Band

A Deb le gusta mucho la música. Por eso, y porque no aguantaba más, formó su propia One Man Band allá por el 73.
Tomen ejemplo.

deb hyer|pando

Professor Longhair - Rock 'n' Roll Gumbo (1974)

Personnel: [Henry Roeland Byrd] a.k.a. Professor Longhair (piano, vocals), Clarence "Gatemouth" Brown (guitar, violin), Julius Farmer (bass), Edwin "Sheeba" Kimbraugh (drums), Alfred "Uganda" Roberts (conga). Additional personnel: Jerry Jumonville (baritone & tenor saxophones), Steve Madaio (trumpet). Recorded at Studio In The Country, Bogalusa, Louisiana on April 3-4, 1974. Includes liner notes by George Winston and Philippe Rault. ROCK 'N' ROLL GUMBO contains songs from one of the Professor's final recording sessions in the early 70s. This was remixed in 1985 with "the piano brought up a little higher in the mix," horns newly added to one track, plus two previously unreleased songs.

Professor Longhair - Rock 'n' Roll Gumbo|rar

Wada Akiko

Esto si que es una voz. Recuperada felizmente por Konishi Yasuharu y Readymade Records. Here is Wada Akiko.


Wada Akiko

Tani Naomi - Modae no Heya

First time ever legit reissue of this ultra-rare erotic artifact. Tani Naomi was Japan's finest bondage and S&M Queen who tore up cinema screens during the better part of the 1970s. This album, originally recorded and released in April 1979 was Tani's farewell statement to the world of porn. Here she delivers one of the finest examples of Showa-induced feminine erotics, hovering sexually tinted narrations over a background of kayokyoku themes and lush orchestrations. Tani recorded this album to commemorate her withdrawal from the porn business. Seen in retropsect, the disc stands out as one of the top 5 erotic albums to come out of Japan. Still her musical endeavor is an odd one amongst the other Iroke chanteuses. Right from the opening on, Tani's direction becomes clear with her narrating in a teasingly melancholic way over a kayokyoku backing track. The effect is stunning, an utterly fornlorn sense of the Showa erotic. Compared to the hard stuff she depicted on screen, the album feels muted in a cloud of pink. But still, she brilliantly succeeds in conveying the atmosphere of true Japanese eroticism, a fleeting and fragile emotion that evaporated in the cynical miasma of the eighties. On this recording, she gave voice to a libidinousness and the sensuality that trembled on the brink of extinction, the sexual appetite of an era soon to be swallowed up by the destructive forces of the 20th century. Tani naomi was truly the last to emit the intoxicating perfumes of Showa eroticism, as "Modae no Heya" perfectly illustrates. CD will be out on February 27th. Housed in a deluxe mini-LP sleeve styled jacket, complete with linernotes, obi and original artwork. Digital remastering from original masters. Limited one time only press of 1300 copies. SOLD OUT

Oh! si, este si, ahhhhh!

Tani Naomi - Modae no Heya

Ike Reiko - Kôkotsu no Sekai

Tiliqua Records continues its quest of digging up lost and forgotten sonic gems out of the bowels of oblivion. This time Tiliqua Records is more than thrilled to be granted the permission to unleash one of Japan's rarest erotic artifacts being Ike Reiko's sole recorded album out of 1971. Heralded by those few who have been blessed with an original copy of this ultra rare disc as the ultimate Iroke Kakyoku album that even surmounts Sandra Julian's "Sexy Poem" on the brutality scale as far as unabashed, urbane eroticism, a calculated addition of licentious overtones and unbridled carnal insinuations are concerned. Ike Reiko is mainly known as one of Japan's finest early seventies porn and pink violence starlets, tearing up screens with her naked presence in such films as "Sôkatsu Rinchi" of Ishii Teruo, the The "Sukebanchô" series and "Onsen Mimizu Geisha" of Suzuki Norifumi. Until now, this sonic gem has never been reissued and Tiliqua Records acquired the legal rights from Teichiku Records in order to restore this masterpiece to its former glory and introducing it anew. In an attempt to describe the sonic sleazyness the disc venture into, here is a snippet out of the extensive linernotes. "Her erotic presence flutters across a multitude of erogenous non-verbal modes - moaning and uttered shrieks of ecstatic pleasure, sibilating suffocated whispers of excitement, and grunting and growling like a bitch in heat. When Ike does sing, it is in a subdued, husky voice about sex, submissive love and seduction. Although all the songs are cover versions, Ike confines herself to whispering but a small part of the original lyrics, spending the remainder on guttural erotic incantations backed by the desolate sound of a cheesy organ and a muffled yet ecstatic mellifluous vocal sound that is reminiscent of the 13^th Floor Elevators’ Tommy Hall breathing down a jug. The entire recording is suffused with a unique atmosphere, a ripe and heady Japanese eroticism now sadly overwhelmed by the intrusive and infelicitous import of cheap Westernized thrills and assorted uneuphonious cultural junk. Nevertheless, Kôkotsu no Sekai launched Ike as the nightingale of the pink new wave." (JW) One-time only legit and limited reissue housed in a sturdy mini-LP styled fold out jacket and adorned with obi strip. Original artwork. Digital remastering from master tapes. Comes with extensive liner notes by Johan Wellens. 1st, 2nd & 3rd pressing each of 1000 copies & 4th press of 500 copies: SOLD OUT

A gozar amigos !!!

Ike Reiko - Kôkotsu no Sekai

Eba Aka Jerome

La Verite|rar
Trahison|rar

Morita Doji: Goodbye (1975), Mother Sky (1976), A boy (1977)

Morita Doji: Goodbye | Mother Sky | A boy

So if you don't know, Morita Doji was a dark dark (like Comus or Ataraxia dark) Japanese acid folk/pop songstress who recorded in the seventies and then turned her back on music. Everything I've heard by her has been great.

Kan Mikami: Makeru Toki Mo Aru Daro (1978)

Kan Mikami: Makeru Toki Mo Aru Daro

Mikami's songs have their ostensible roots in the folk movement of the '70's in Japan. Upon listening carefully, you can hear hints of the blues, rockabilly, traces of torn down Neil Young (Hibari Misora's Watch -Jo-You, track 4) or just forlorn jaggedness and the peculiar comic that is all Mikami. It s a feverish amalgam of things familiar and vague, alien and confrontational. On track 12 (Black Point Hirano) of his Live CD, Black Point Hirano (Archival Box-Set only release PSFD-122, Track 2 on I'm the Only One Around), Sun Studios beckons in the modalities of the playing and also in the vocal style. Likewise, Jo-You is filled with songs we might more readily associate with the Delta Blues or traditional American folk. Contrast this to any song on Live in Heisei Vol. I & II (with Haino and Yoshizawa PSF 5&6) which just sounds flat out Martian, utterly alone and freezing, and you have an idea of the complexity of Mikami. Between these two poles lies the breadth of work that only someone of Mikami's caliber and experience can deliver. (Kelly Burnette, He's the Only One Around: Mikami Kan and the Language of the Japanese Blues)

Kazuki Tomokawa: Chuya

Kazuki Tomokawa en la wikipedia

Kazuki Tomokawa: Chuya | en pando

Ike & Tina Turner: Live In Paris (1971)

Paulo Diniz - Paulo Diniz (1974)

Nascido no interior de Pernambuco, foi para Recife trabalhar como crooner e baterista em casas noturnas. Foi locutor e ator de rádio e televisão, em Pernambuco e no Ceará. Em 1964 foi para o Rio de Janeiro, onde trabalhou na Rádio Tupi e passou a compor com mais freqüência. Sua primeira gravação saiu em 1966, com a música "O Chorão". Quatro anos depois lançou dois LPs, e em seguida dedicou-se à tarefa de musicalizar poemas de língua portuguesa de autores como Carlos Drummond de Andrade ("E Agora, José?"), Gregório de Matos ("Definição do Amor"), Augusto dos Anjos ("Versos Íntimos"), Jorge de Lima ("Essa Nega Fulô") e Manuel Bandeira ("Vou-me Embora pra Pasárgada"). Suas músicas foram gravadas por Clara Nunes, Emílio Santiago, Simone e outros. Entre seus sucessos destacam-se "Pingos de Amor", gravado por vários intérpretes, "Canoeiro", "Um Chopp pra Distrair", "I Want to Go Back to Bahia" (uma homenagem a Caetano Veloso, então exilado em Londres) e "Quem Tem um Olho É Rei", todas em parceria com Odibar. from cliquemusic)

Jackson 5 - The ultimate collection

5 muchachos de color 5. Luego uno destiñó, pero su musica permanece. La colección definitiva.

Opus Avantra: Introspezione (1974)

A unique group in the italian scene, Opus Avantra mixed together contemporary classical music with avantgarde and a light progressive rock inflience, giving an original result that's often considered too difficult to listen for straight prog rock ears. Their name was obtained from their three main interests, opera, avantgarde and traditional music.
Formed in Veneto in 1973 around the nucleus of soprano Donella Del Monaco (the niece of famous tenor Mario Del Monaco), pianist-composer Alfredo Tisocco, philosopher Giorgio Bisotto and producer Renato Marengo, and aided in the years by many other musicians, the group released their first album in 1974, Opus Avantra - Donella Del Monaco (often referred to as Introspezione, from the title of the first track) on the collectible Trident label.
Usually considered their most accessible work, the album is built on classical-inspired themes with complex arrangements and dominated by the nice soprano voice of singer Del Monaco and good flute playing, with just an instrumental track, Rituale. The band also had a good live activity promoting their album in Veneto and Rome., en italianprog.com, y en progressive.homestead.com le hacen una entrevista a Donella Del Monaco.

Tokyo Kid Brothers: Golden Bat (1970)

Monster Japanese cult underground experimental rock. Also known under the title “Golden Bat”, this was Tokyo Kid Brothers first album. Almost all of the albums they churned out during the late seventies and eighties are completely crap, but their initial period from 1971 till 1973 is just great. Psychedelic Dada-ism, theatrical lysergic pleasures, demented fuzz intersections, wild keyboard playing by Hiro Yanagida (Food Brain, Sato Masahiko & Soundbreakers, Milk Time, etc) demented choruses, female wailing crescendos, rural esoteric fertility rite like incantations, exorcist ritualistic tribal stomping, totally insane one liners, heavy bass shifting, heavy guitar licks, psychedelic mayhem, crazy stage action etc, just one great psyched out cabaret/rock opera recorded live in concert in 1971 and released that same year. vía Mutant Sounds