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Musica Futurista: The Art of Noises (1980)

Musica Futurista: The Art of Noises

Musica Futurista: The Art of Noises is a 74 minute collection of music and spoken word from the Italian Futurist movement 1909-1935, including original recordings by Marinetti, Russolo and Balilla Pratella.
As well as vintage 'free verse' readings by Futurist figurehead F.T. Marinetti, the CD includes recordings of the celebrated intonarumori (noise intoners) created by Luigi Russolo, including the compostition The Awakening of a City. Russolo's public performances scandalized Europe in 1914 yet still resonate today. Although his extraordinary ideas met with fierce resistance, it is now clear he exerted a powerful influence on a number of leading avant-garde and experimental composers, initially Igor Stravinsky, George Antheil and Arthur Honegger, and later John Cage, Edgard Varese, Karlheinz Stockhausen and Harry Partch, as well as non-classical electronica and avant-rock. As well as period recordings, the CD includes contemporary performances of other key Futurist works by Balilla Pratella, Antonio Russolo, Aldo Giuntini, Luigi Grandi, Silvio Mix, Franco Casavola, Alfredo Casella, Matty Malneck and Frank Signorelli. (Synaesthesia)

Luigi Russolo: El arte de los ruidos

Blonde Redhead - 23

Blonde Redhead - 23 |rar

Blonde Redhead - "Misery Is A Butterfly"(2004)

Misery is a butterfly|rar
Blonde Redhead, Banda de rock alternativo, formada originalmente por Kazu Makino(gtr. y vocal), Maki Takahashi(bajo) y los gemelos italianos Simone Pace(batería) y Amedeo Pace(gtr. y vocal) en 1993, creando un sonido sofisticado; combinando guitarras disonantes, cambios de ritmo y de tonalidad repentinos, con la aguda voz de Makino y un estilo muy especial de hacer música. Su nombre viene del nombre de una canción de la banda de los 80's DNA. En 1995 lanzaron su álbum debut: "Blonde Redhead" que fue producido por Steve Shelley baterista de Sonic Youth, banda con la que han sido muy comparados . Poco después del lanzamiento del disco, Maki Takahashi dejó la banda y ese mismo año el ahora trío lanzó otro álbum titulado: "La Mia Vita Violenta". Para su tercer álbum "Fake Can Be Just As Good"(1997)invitaron al bajista de Unwound: Vern Rumsey. En 1998, nuevamente como un trío, lanzaron su cuarto álbum "In an Expression of the Inexpressible" que fue producido por Guy Picciotto guitarrista y vocalista de la banda de punk Fugazi, le siguieron "Melody of Certain Damaged Lemons"(2000), "Mélodie Citronique" EP(2000)y "Misery Is A Butterfly"(2004).

sitio oficial | en la wikipedia

Opus Avantra: Introspezione (1974)

A unique group in the italian scene, Opus Avantra mixed together contemporary classical music with avantgarde and a light progressive rock inflience, giving an original result that's often considered too difficult to listen for straight prog rock ears. Their name was obtained from their three main interests, opera, avantgarde and traditional music.
Formed in Veneto in 1973 around the nucleus of soprano Donella Del Monaco (the niece of famous tenor Mario Del Monaco), pianist-composer Alfredo Tisocco, philosopher Giorgio Bisotto and producer Renato Marengo, and aided in the years by many other musicians, the group released their first album in 1974, Opus Avantra - Donella Del Monaco (often referred to as Introspezione, from the title of the first track) on the collectible Trident label.
Usually considered their most accessible work, the album is built on classical-inspired themes with complex arrangements and dominated by the nice soprano voice of singer Del Monaco and good flute playing, with just an instrumental track, Rituale. The band also had a good live activity promoting their album in Veneto and Rome., en italianprog.com, y en progressive.homestead.com le hacen una entrevista a Donella Del Monaco.