Plasmatics: Maggots, the record (1987)

Plasmatics: Maggots, the record

Heavy metal concept albums are nothing new; however, this macabre opus ranks among the most bizarre ever recorded. More of an audio play than a music album, a Rod Serling-like narrator takes listeners through a disturbingly graphic story depicting genetically mutated maggots breeding exponentially until mankind is exterminated. Not for the squeamish; explicit dialogue and detailed descriptions of characters and their horrible deaths by the disgusting creatures are told with fantastic horror. Providing interlude are six apocalyptic Plasmatics songs embellishing the plot and displaying Wendy O. Williams' distinctive machine-gun caterwauling. "You're a Zombie," "The Day of the Humans Gone," "Brain Dead," and "Finale" are surprisingly decent '80s punk metal anthems with all the trimmings: chanted vocals, pounding militia-marching drums, and crunching guitar work. Once tossed off as gory camp, realized environmental changes and threats of biological terrorism made this prophetic release particularly unnerving. Craig Curtice, All Music Guide


página oficial | en la wikipedia

Jean Claude Borelli - Dolannes Melody

Jean-Claude BORELLY est né le 2 juillet 1953 à Paris
Dès l'âge de 8 ans, il est pris de passion pour la trompette. Il avait vu et admiré le talent de Dizzie Gillepsie et Louis Amstrong à la télévision.
Mais la rencontre avec M. Ness, éminent trompettiste de Paris fut pour Jean-Claude un événement retentissant dans sa carrière.
Les années 60 constituent les années d'apprentissage pour Jean-Claude BORELLY : il poursuit ses études musicales au Conservatoire à Paris et à l'École Normale.
Dans les années 70, il connaît un grand succès international. Il devient le trompettiste le plus connu dans plusieurs pays.
Dans les années 80, Jean-Claude BORELLY effectue également des tournées dans plusieurs pays en Amérique du Sud, en Europe
Dans les années 90 , deux nouveaux disques d'or, un spectacle pyrotechnique et la création de sa propre société de production viendront compléter son parcours musical hors du commun.
Aujourd'hui, avec ses différents orchestres Jean-Claude BORELLY anime de nombreuses conventions et manifestations. Il se produit dans de nombreux shows télévisés en Allemagne, Mexique, Argentine et Japon.
Il prépare actuellement la sortie de son nouvel album, qu'il enregistre aux États-Unis.
Jean Claude: su web.
Jean Claude Borelli - Dolannes Melody|rar

Tom Verlaine - Songs And Other Things (2006)

Tom Verlaine - Songs And Other Things (2006)
(en la wiki)

The Avalanches - Since I left you

The Avalanches-Since I Left You|rar

Since I Left You (2000) is the debut album by Melbourne-based electronic music group The Avalanches. It is composed almost entirely of samples from old records, films, and TV shows. It was a worldwide success, especially in the UK where it reached #8 on the commercial album charts.

"Frontier Psychiatrist" was released as a single and became their most well-known song, hitting #48 in Australia and #18 in the UK. The song "Since I Left You" hit #16 in the UK and also entered the top 100 in Australia. The album also reached #8 in the UK, and was Planet Sound's #1 Album of 2001. Initial overseas versions of the album had some samples removed. Current pressings have most of these samples back in place. Avalanches also became the first act to get permission from Madonna to sample her work. (extraído de wikipedia)

List of samples

Musica Futurista: The Art of Noises (1980)

Musica Futurista: The Art of Noises

Musica Futurista: The Art of Noises is a 74 minute collection of music and spoken word from the Italian Futurist movement 1909-1935, including original recordings by Marinetti, Russolo and Balilla Pratella.
As well as vintage 'free verse' readings by Futurist figurehead F.T. Marinetti, the CD includes recordings of the celebrated intonarumori (noise intoners) created by Luigi Russolo, including the compostition The Awakening of a City. Russolo's public performances scandalized Europe in 1914 yet still resonate today. Although his extraordinary ideas met with fierce resistance, it is now clear he exerted a powerful influence on a number of leading avant-garde and experimental composers, initially Igor Stravinsky, George Antheil and Arthur Honegger, and later John Cage, Edgard Varese, Karlheinz Stockhausen and Harry Partch, as well as non-classical electronica and avant-rock. As well as period recordings, the CD includes contemporary performances of other key Futurist works by Balilla Pratella, Antonio Russolo, Aldo Giuntini, Luigi Grandi, Silvio Mix, Franco Casavola, Alfredo Casella, Matty Malneck and Frank Signorelli. (Synaesthesia)

Luigi Russolo: El arte de los ruidos

Korean marches

Korean marches &
The Song of General Kim Il-rar

-sung is a North Korean marching song composed during the Korean War that was sung by the North Koreans and their Chinese allies. It was once reported to be more popular in China than the song praising Mao Zedong -- "Dongfang Hong" (The East is Red). As the anthem of the country's "eternal leader", it is still widely played in North Korea.
(from Wikipedia)

Yengi Yol - De Séville à Boukhara, Flamenco oriental

Le groupe est le fruit d’une rencontre provoquée par un jeune Strasbourgeois, Emmanuel Hoseyn During. Baigné depuis sa tendre enfance dans un univers musical grâce à un père ethnomusicologue, Emmanuel Hoseyn During a voulu conjuguer sa passion pour le flamenco avec les musiques de l’Asie centrale.

Yengi Yol signifie "Nouvelles Voies" mais c’est également une "voix" : celle de Delfuza Ibrahimova. Cette chanteuse à la voix claire et vigoureuse s’est spécialisée dans le répertoire traditionnel après avoir pratiqué tous les genres classiques. Vient ensuite Gozal Muminova qui pratique le dutôr et le rabâb (luth à long manche à deux cordes en soie et petite caisse sphérique dont la table de résonance est en parchemin). Enseignante à l’école supérieur de musique de Tashkent, cette dernière s’est également distinguée en remportant le prix du dutôr au concours de Maqâm d’Ouzbékistan en 1999. Ce concours s’est d’ailleurs vu récompenser la même année le jeune Rostan Tagaykuloy, autre membre du groupe Yengi Yol, au titre de meilleur percussionniste. Jamâleddin Avezon quant à lui, vient enrichir le groupe au son d’un violon, d’un ghijak (vielle) ou encore d’un Dâyra (lourd tambour sur cadre frappé avec les doigts des deux mains). Il poursuit, dans un même temps, ses études de musique traditionnelle au conservatoire supérieur de Tashkent.

Yengi Yol - De Séville à Boukhara, Flamenco oriental

June Carter Cash: Wildwood Flower (2003)

June Carter Cash: Wildwood Flower


en la wikipedia

CSS - Cansei de Ser Sexy

Formada em setembro de 2003, a banda começou de maneira descomprometida e, com excepção do baterista, ninguém sabia tocar direito seus respectivos instrumentos. Destacaram-se após criarem um fotolog e aparecerem na Folha de São Paulo, nas colunas de Lúcio Ribeiro e Érika Palomino. Em 2004 foram atração do Tim Festival, tocando antes dos 2manydjs e no mesmo palco do Kraftwerk. A apresentação dividiu opiniões. No ano seguinte subiram no palco do Campari Rock, que ainda teve como atração o MC5 e o The Kills.

Apesar de já terem lançado dois EPs - Em Rotterdam Já é Uma Febre e A Onda Mortal / Uma Tarde Com PJ (vendido em lojas de São Paulo) - só em 2005, assinaram com a gravadora Trama. Durante as gravações do álbum homônimo e do EP CSS SUXXX (este vendido em shows e pela Internet), Clara Ribeiro e Maria Helena Zerba deixaram a banda. O álbum teve distribuição nacional com o suporte de diversas mídias, e ainda trouxe a proposta inovadora de, em uma edição limitada, incluir um CD-R na mesma embalagem. O intuito era o de que o comprador passasse as músicas do álbum para seu computador, gravasse o conteúdo no CD-R e presenteasse um amigo, prestando uma homenagem à disseminação de música por meio da Internet. Uma música foi incluída no seriado de Paris Hilton na FOX (The Simple Life), outra no jogo The Sims 2: Vida Noturna e um dos hits da banda, Superafim, chegou a tocar no Big Brother Brasil 6.

Em 2006 a banda assinou contrato com a gravadora Sub Pop para lançar seu primeiro álbum nos Estados Unidos, Europa e Japão, uma compilação de onze músicas em inglês próprias da banda e que estão no EP CSS SUXXX e do álbum Cansei de Ser Sexy. Em julho a banda partiu para uma turnê internacional nos Estados Unidos e Canadá, ao lado do Bonde do Role e do DJ americano Diplo. Na segunda metade de 2006, ainda viriam a dividir palcos fora do Brasil com bandas como Ladytron, 1990s e Basement Jaxx, em shows por países da Europa. (de Wikipedia)

CSS - Cansei de Ser Sexy|rar

The Divine Comedy - Victory for the comic muse

The album is fairly unique in the Divine Comedy catalogue - and in the catalogue of most recent popular music - in that Hannon's original aim with the album was to record it entirely in two weeks, with the minimum of overdubbing. As such, almost all of the music on the album - much to the chagrin of the classical players involved on almost every track, and the Divine Comedy band itself - was recorded in live takes. At first, they attempted to use no click tracks or headphones, but eventually they did. The band would record their part, the orchestra would overdub theirs, and then Hannon would record his vocals. No further overdubbing took place unless absolutely necessary, in a fairly hurried style of recording, and in stark contrast to the modern recording technique of stacking up tracks.

During the recording, Hannon's vocals had to be recorded even more hurriedly than planned because for most of the two weeks he was suffering from a cold that got progressively worse before finally clearing up. (by Wikipedia)

the divine comedy - victory for the comic muse | rar
A propósito, estarán en Salamanca el próximo 15 de junio actuando en la plaza mayor.

Jandek: Chair Beside a Window (1982)

Jandek: Chair Beside a Window

Jandek is the musical project of an outsider musician who operates out of Houston, Texas. Since 1978, Jandek has self-released 50 albums of unusual, often emotionally dissolute folk and blues songs without ever granting more than the occasional interview or providing any biographical information. Jandek often plays a highly idiosyncratic and frequently atonal form of folk and blues music, often using an open and unconventional chord structure. Jandek's music is unique, but his lyrics closely mirror the country blues and folk traditions of Eastern Texas.

página de fans | wikipedia

Yo-Yo Ma - Japanese melodies

Cellist Yo-Yo Ma was born in Paris, France, in 1955. He began his cello studies with his father at the age of four and gave his first public recital when he was five. After moving with his family to New York City, he continued cello studies with Janos Scholz, beginning in 1962, followed by lessons with Leonard Rose from 1964 to 1971 at the Juilliard School of Music. He attended Harvard University, where he studied the humanities and played cello in his spare time. His active performing career began after graduation from Harvard in 1976, at which time he was already being compared to two of the twentieth century’s best-known cellists, Mstislav Rostropovich and the legendary Pablo Casals (d. 1973). In 1978, Ma was awarded the Avery Fisher Prize.

Ma made his first recordings in 1979, for the Lyrita label. In 1980, he formed an exclusive relationship with the Sony Classical recording company (at that time, CBS Masterworks), for which he has produced well over fifty issues. His recordings include most of the standard cello repertoire--solo, concerto, and chamber--as well as less-known works and contemporary compositions written especially for him. In the 1980s he developed a performing rapport with pianist Emanuel Ax, violinist Isaac Stern, and violinist/violist Jaime Laredo. Their recordings together are still hailed as among the best of the genre. More recently, Ma has made recordings on a Baroque-period cello.

Ma has also performed and made recordings of the music of the crossover and world genres. Among these are a collaboration with singer/composer Bobby McFerrin; two recordings of Japanese melodies; the "Appalachian" series, with violinist/bluegrass fiddler Marc O'Connor and composer/double bass player Edgar Meyer; tango recordings with--and in tribute to--Argentinian music pioneer Astor Piazzolla; the Silk Road Project recordings; and Ma's recent work with Brazilian musicians, featuring sambas, bossa novas, and other Brazilian music. Ma has currently won fifteen Grammy Awards.

Throughout his career, Yo-Yo Ma has been an avid supporter of music and arts education. While on tour, he regularly conducts master classes for aspiring musicians as well as more informal music appreciation programs for general audiences.

Yo-Yo Ma - Japanese melodies

Khlyst: Chaos is My Name (2007)

Khlyst: Chaos is My Name

In the wake of Khanate’s untimely demise comes Khlyst, a challenging and potent duo comprised of ex-Khanate bassist and sound organizer James Plotkin and ex-Thorr’s Hammer vocalist Runhild Gammelsæter. The two have chosen a moniker that accurately and acutely reflects their combined power as well as the overall aesthetic sense of their first full-length, Chaos is My Name. Khlyst is Russian for whip, a noun appropriated by subterranean Christian orthodoxy in the late 17th century. Practicing fervent asceticism, Khlysts offset bodily denial and bouts of searing flagellation with ritualistic orgies, as the sect’s ideology orbited the notion of divine grace as attained through the commission of fleshly sin.

Plotkin and Gammelsæter spend 35 minutes delineating this ideology, oscillating from instances of unspeakable violence to emotive and blurrily meditative passages. Gammelsæter’s vocals are extraordinary, animalistic and vengeful, heaving, shrieking and spitting. She condemns and hexes in her native tongue, her words wailed as embodiments of emotional states, bereft of syntax and intelligibility. Guitar, percussion – and sampled and electronically altered versions of guitar and percussion – act as companion piece, simultaneously invasive and complimentary. When the witch’s wrath is wrested from her voice, the sound softens. Cymbals are bowed, scraped, clicked with sticks. A gong bongs. Gammelsæter responds with moans and groans and hisses, sounding like a core of bodies confused in obscene tangles, steadily working towards one heaving, sticky release. An electronic figure flutters in and out of the mix, acting as peculiar leitmotif, inquisitive tones lending a welcome naiveté to music fattened on experience.

Plotkin shapes this record, using technique and exquisite ear to great effect; he knows when to pull triggers and he’s patient enough to know when to recline and just let the music develop in and of itself. Cut-ups, knob-twiddling earth moving and percussive romps that recall some of Cage’s rhythmic and arrhythmic infatuations with instruments as “speaking” artifacts are all taken up and worked out in seamless extremes. Gammelsæter provides the perfect and equal partner; in the end one can only hope that this won’t be relegated to “project” status, but rather worked out and mined over several more recordings. Stewart Voegtlin

sitio oficial

Shuji Inaba: The Rapture Of Being Destroyed... (2004)

Shuji Inaba: The Rapture Of Being Destroyed...
Shuji Inaba is a Japanese avant-folk singer and guitarist who hasn't reached the same level of documentation as peers like Kan Mikami and Kazuki Tomokawa. No 13 CD box set for Shuji yet! And some might find the prospect of such a box set quite frightening -- a single disc of his raw acoustic guitar playing and whisper-scream vocalizations will be more than enough for a lot of folks. Others will find Inaba's Rapture Of Being Destroyed to be a harrowing yet compelling listen. With some tracks filled with stark outbursts from silence and others more 'song' like, this is a great record recommended for those who already dig the likes of Dead Raven Choir and the aforementioned Kan Mikami.. (Forced Exposure)

Do as infinity

Vamos con algunas producciones de Seiji Kameda. Esta vez un 3 x 1.

Do as infinity: Break of down / Deep forest / New world

Hikaru Utada -Exodus

Desde luego hay gente con suerte...

Esta pequeña reina del Pop Japonés comenzó su carrera siendo muy pequeña, ya que su padre es cantante, de hecho su primer disco "Cubic U" es un dúo con él ^^' (aunque creo que se publicó después)

Nació en Estados Unidos, aunque más tarde se trasladó a Japón, allí arrasó con su primer album como solista First Love, el cual arrasó en su primera semana, llegando incluso a sobrepasar a los grandes de la música japonesa, el grupo de rock B'z. Ha sacado 2 discos más Distance y Deep River en Japonés con una éxito rotundo.

Su último trabajo (en relativo a albumnes) fue Exodus, entero en inglés para así poder entrar en el mercado internacional (gran fracaso), la verdad es que me encanta (sobre todo Kremlin Dust) pero no es el estilo de Hikaru Utada, está hecho para americanos. El mes pasado (Septiembre 2005) sacó su gran esperado single en japonés el cual creo que ya se encuentra a la venta, se llama Be my Last

Hikaru Utada -Exodus

The Aprils - Space dream bathroom

エイプリルズの宇宙と夢とバスルーム！
スペーシーでドリーミー、そしてバスルームのような温かみとカラフルなポップソングが詰まったニューアルバムが早くも登場です！ '80sを彷彿とさせるダンストラックや'90s直系のギターポップなどエイプリルズテイストに再構築した２１世紀の大名盤。
ミックス＆マスタリングにPlus-tech Squeeze Boxのハヤシベトモノリを迎え、YMCK、tetrapletrap-Fなど 多数のゲストミュージシャンが集結した音のシンフォニーを皆さんにお届けます。

The Aprils - Space dream bathroom

Blonde Redhead - 23

Blonde Redhead - 23 |rar

Extreme music from Africa

Africa - the dark continent of the tyrants, the beautiful girls, the bizarre rituals, the tropical fruits, the pygmies, the guns, the mercenaries, the tribal wars, the unusual diseases, the abject poverty, the sumptuous riches, the widespread executions, the praetorian colonialists, the exotic wildlife - and the music.

As a follow-up to Extreme Music From Japan, Susan Lawly releases Extreme Music From Africa. Compiled and co-ordinated after exhaustive research through special contacts from countries as diverse as Morocco, Republic of South Africa, Zimbabwe and Uganda - and the Internet by William Bennett, this extraordinary compilation results in a totally unique vision of a totally unique continent.

Extreme music from Africa

Blonde Redhead - "Misery Is A Butterfly"(2004)

Misery is a butterfly|rar
Blonde Redhead, Banda de rock alternativo, formada originalmente por Kazu Makino(gtr. y vocal), Maki Takahashi(bajo) y los gemelos italianos Simone Pace(batería) y Amedeo Pace(gtr. y vocal) en 1993, creando un sonido sofisticado; combinando guitarras disonantes, cambios de ritmo y de tonalidad repentinos, con la aguda voz de Makino y un estilo muy especial de hacer música. Su nombre viene del nombre de una canción de la banda de los 80's DNA. En 1995 lanzaron su álbum debut: "Blonde Redhead" que fue producido por Steve Shelley baterista de Sonic Youth, banda con la que han sido muy comparados . Poco después del lanzamiento del disco, Maki Takahashi dejó la banda y ese mismo año el ahora trío lanzó otro álbum titulado: "La Mia Vita Violenta". Para su tercer álbum "Fake Can Be Just As Good"(1997)invitaron al bajista de Unwound: Vern Rumsey. En 1998, nuevamente como un trío, lanzaron su cuarto álbum "In an Expression of the Inexpressible" que fue producido por Guy Picciotto guitarrista y vocalista de la banda de punk Fugazi, le siguieron "Melody of Certain Damaged Lemons"(2000), "Mélodie Citronique" EP(2000)y "Misery Is A Butterfly"(2004).

sitio oficial | en la wikipedia

Kan Mikami: Makeru Toki Mo Aru Daro (1978)

Kan Mikami: Makeru Toki Mo Aru Daro

Mikami's songs have their ostensible roots in the folk movement of the '70's in Japan. Upon listening carefully, you can hear hints of the blues, rockabilly, traces of torn down Neil Young (Hibari Misora's Watch -Jo-You, track 4) or just forlorn jaggedness and the peculiar comic that is all Mikami. It s a feverish amalgam of things familiar and vague, alien and confrontational. On track 12 (Black Point Hirano) of his Live CD, Black Point Hirano (Archival Box-Set only release PSFD-122, Track 2 on I'm the Only One Around), Sun Studios beckons in the modalities of the playing and also in the vocal style. Likewise, Jo-You is filled with songs we might more readily associate with the Delta Blues or traditional American folk. Contrast this to any song on Live in Heisei Vol. I & II (with Haino and Yoshizawa PSF 5&6) which just sounds flat out Martian, utterly alone and freezing, and you have an idea of the complexity of Mikami. Between these two poles lies the breadth of work that only someone of Mikami's caliber and experience can deliver. (Kelly Burnette, He's the Only One Around: Mikami Kan and the Language of the Japanese Blues)

Marino - Lollipop

marino / lollipop SCPN-23

「日常生活を少しだけポジティブに、おしゃれにしてくれるライフアップサプリメント」 capsuleの中田ヤスタカ氏とPlus-Tech SqueezeBoxのハヤシベトモノリ氏のWサウンドプロデュースによる、marinoのファーストミニアルバム。初期シュクレテイストともいえるカラフルでスウィートなロリポップサウンド。 フォトジェニックなルックスとキュートなヴォーカルで、同世代からの支持も高いフューチャーポップシーン期待の新星デビュー！

Formats: CD / 全5曲 / 税込価格1,575円 2006.10.30（月）発売
Track Listing:
01. lollipop (produced by Tomonori Hayashibe)
02. ララリル (produced by Yasutaka Nakata)
03. tic tac (produced by Tomonori Hayashibe)
04. フレイバー (produced by Yasutaka Nakata)
05. strawberry (produced by Tomonori Hayashibe)

Glenn Gould, Leonard Bernstein: Brahms Piano Concerto No 1

Glenn Gould, Leonard Bernstein: Brahms Piano Concerto No 1

Conductors responded diversely to Gould and his playing habits. George Szell, who led Gould in 1957 with the Cleveland Orchestra, remarked to his assistant, "That nut's a genius."[7] Leonard Bernstein said, "There is nobody quite like him, and I just love playing with him." (de la wikipedia)

Petula Clark: Greatest Hits (1986)

Petula Clark: Greatest Hits

The most commercially successful female singer in British chart history, Petula Clark was born November 15, 1932 in Epsom, England. Trained to sing by her soprano mother, Clark embarked on a stage career at the age of seven; soon she was a fixture on British radio programs, and began hosting her own regular show Pet's Parlour [a series spotlighting patriotic songs designed to boost the morale of wartime audiences] at the tender age of 11. After entertaining British troops alongside fellow child stars Julie Andrews and Anthony Newley, Clark made her film debut with A Medal For The General in 1944. By the dawn of the 1950s she was a superstar throughout the U.K., with a resume of close to two dozen films. Clark struggled with her inability to shed her adolescent image. After selling over a million copies of 1961's "Romeo," she married and relocated to France, establishing a strong fan base there. Riding the wave of the British Invasion, Clark was finally able to penetrate the U.S. market in 1964 with the Grammy-winning "Downtown," the first single by a British woman ever to reach number one on the American pop charts. It was also the first in a series of American Top Ten hits [most written and arranged by Tony Hatch] which also included 1965's "I Know a Place" and 1966's "I Couldn't Live Without Your Love" and the number one smash "My Love." At the same time, she remained a huge star throughout Europe, topping the British charts in 1967 with "This Is My Song," taken from the film A Countess From Hong Kong. In 1988, an acid-house remix of "Downtown" reached the U.K. Top Ten, another honor for the female singer awarded the most gold records in British pop history.

This Greatest Hits collection has all the major US hits, plus some British and European chart successes never heard in the US.

Glenn Gould le dedicó un programa en 1967: In Search for Pet Clark (vía ubu)

Ryoji Ikeda - Dataplex

Dataplex is the much-anticipated new release from leading japanese electronic composer ryoji ikeda. since the mid 1990s, ikeda has pioneered a radical and highly influential minimalist approach in the worlds of electronic and contemporary music. his seventh solo album and the first musical composition in the datamatics series - a new body of work across various media that uses data as both its material and its theme - dataplex presents a significant and stunning progression in ikeda's career.

Ryoji Ikeda - Dataplex

Clónicos: Esquizodelia (1995)

Clónicos: Esquizodelia

'Esquizodelia'. Nessuna definizione e' possibile per qucsto complesso spagnolo che dice di se di essere un gruppo-laboratorio formato da musicisti provenicnti dalle aree piu' disparate (musica improvvisata, new age, contemporanea, rock, minimal, jazz) ; e di rappresentare l'ultimo gradino di una linea storica che prende le mosse da Charles, lves e passa attraverso Luciano Berio, Alois Zimmermannn, John Zorn e Art Ensemble of Chicago. La sua musica, talvolta sconcertante ma sempre attraente, e' fatta di suoni strumentali e reali, rumori, silenzi e alta tecnologia. Gli esecutori di base sono Markus Breuss, tromba; Pelayo Arrizabalaga, sax alto; Ricardo Fuentes, tastiere; Susana Kulia, voce; Pedro Lopez, batteria: ma tutti sanno suonare altri attrezzi e sono bravissimi. (Franco Fayenz - IL GIORNALE)

sitio oficial | en experimentaclub

Miki Hirayama - Ultrabest

1970年に「ビューティフルヨコハマ」でデビューし、翌71年の2ndシングル「真夏の出来事」が大ヒット。誰もがその個性を認める平山ワールドは、 「声」を生かしきった作品を歌うことにより確立した。このアルバムは、ロック、スウィング、ジャズ、ディスコ、などバラエティにとぶ様々なアプローチを自 由奔放にくりひろげていますが、平山みきの「声」は、そのすべてを自然につなげて心地よい平山ワールドを作り上げています。「時の流れに身をまかせ」、 「たそがれのビギン」、など名曲も平山流にカバーし収録。とても新鮮に仕上がっている。おなじみのヒット曲「真夏の出来事」をまったくちがったテイストで アプローチしたりと、幅ひろい楽しみ方が出来るアルバムです。平山みきワールドの生みの親ともいえる、筒美京平氏、橋本淳氏のコンビでの書き下ろし曲も収 録予定となっている。声の魅力に、いい楽曲という、シンプルであたりまえのアプローチこそがやはりいい音楽を作るのだと再確認できる、そんなアルバムで す。

Miki Hirayama - Ultrabest

Rickie Lee Jones: Sermon on Exposition Boulevard (2007)

Rickie Lee Jones: Sermon on Exposition Boulevard

sitio oficial | en la wikipedia

Violent Femmes - Add it up

Gordon Gano (cantante/guitarrista), Brian Ritchie (bajista), y Victor DeLorenzo (percusionista) fundaron el grupo y fueron descubiertos (y luego olvidados) por James Honeyman-Scott (de The Pretenders) cuando el grupo tocaba en la esquina de una calle de Milwaukee, al frente del local donde The Pretenders se presentarían esa noche.

Violent Femmes - Add it up [1981-1993]|rar
página oficial | en la wikipedia

Masonna: Open your cunt

Masonna: Open your cunt

página oficial | en la wikipedia

Ymo - Remixes Technopolis

Yellow Magic Orchestra - Remixes Technopolis

Rufus Wainwrigth - Want One y Want Two (de regalo)

Desde el 4º puesto de la lista "Love Gods Way!", Mr.Rufus nos presenta sus dos trabajos más vanagloriados hasta la fecha. Dos discos que van de la mano y que le valieron el sobrenombre del nuevo mesias gay por parte de la prensa, una vez inició su gira de presentación por Europa.
Por lo demás, y alejándonos del amarillismo, el.los disco.s es.son muy bueno.s y por eso se encorralan.
WANT ONE|rar
WANT TWO|rar

Los Pekenikes - Grandes éxitos

Los Pekenikes - Grandes Exitos

Polysics - Karate House

水戸会場より販売をスタートした「POLYバイザー(レプリカ)」ですが、既に通販も可能になっております。(オシラセの方が遅れまして申し訳ございません)ただ、祝日が続いておりますので、発送は連休明けからになります事をご了承下さいませ。
もちろん各会場では実物をご覧頂けますので、これからツアー会場にお越しの方は、是非ご覧下さいね。水戸でも宇都宮でも、更に通販でも、実際にお求め頂いております。(自分だけじゃないか…なんて心配されてる方がいらっしゃいいましたら、どうぞ御心配なく!!)
※また、先の書き込みで「15,000で販売」と書いてしまいましたが、「15,000円で販売」の間違いでした。訂正してお詫び申し上げます。

Polysics - Karate House

David Lee Roth: Sonrisa Salvaje (1986)

Sonrisa Salvaje is the Spanish version of Eat 'Em and Smile. According to the Van Halen Encyclopedia, the idea to re-record the album in Spanish was the idea of bassist Billy Sheehan, after Sheehan read an article in a magazine which reported that over half the Mexican population was between the ages of 18-27, a prime record buying market. Roth re-cut all his vocals with the help of a Spanish tutor in the studio. He changed around some of the more racier lyrics, so not to offend the more conservative Spanish. According to Sheehan, the album wasn't received well with many people considering it "Gringo Spanish," and any future Spanish-version ideas were dropped. With the exception of the vocals, the basic music tracks are the same as the "Eat 'Em and Smile" version, with the only exception being "Big Trouble", which ends abruptly as opposed to fading out on the English version.
Sonrisa Salvaje was originally released on vinyl and cassette, but was deleted almost immediately. A CD version did not appear until 2007. All of the liner notes on the original release were written in Spanish except for the copyright notice and the Dolby noise reduction information on the cassette version. (de la wikipedia)

me lo mandó un cutre, y hay un portugués que lo quiere

David Lee Roth: Sonrisa Salvaje

Beep Shop Boys - 2 Aastat Tingimusi

Ey! Como se os da el estonio?
Beep Shop Boys - 2 Aastat Tingimusi

Kazuki Tomokawa: Chuya

Kazuki Tomokawa en la wikipedia

Kazuki Tomokawa: Chuya | en pando

John Barry - The best of...themeology

John Barry - The best of...themeology (by pando)

Sonic Dragolgo - Sweet pain / Don´t stop the music

Ike & Tina Turner: Live In Paris (1971)

The Apricots - Swingin´ and Smilin´

Sloth Love Chunks - Shikakui Vision

Augusto Algueró - All his recordings at Polydor (1968-1971) Cd1 y Cd2

Augusto Algueró (Barcelona, 23 de febrero de 1934), es un compositor, arreglista y director de orquesta español.
A lo largo de su carrera, Algueró ha realizado multitud de canciones que han llegado a ser muy populares para el público. Títulos como "Penélope", que en la voz de Serrat y con arreglos de Ricard Miralles, ha llegado a ser una de las canciones indispensables en el repertorio del cantante catalán; "Te quiero, te quiero" y "Noelia", interpretadas por el valenciano Nino Bravo; "Contigo, contigo" y "Tómbola", para la cantante y actriz Marisol; o "La chica ye-ye", que compuso para Concha Velasco, son ya temas que han pasado a la historia de la música española y que fueron en su época grandes éxitos.(de la Wikipedia).

Centro de residências artísticas de Nodar-10 a 28 de abril 2007

Composições sonoras dos projectos artísticos
Dennis Báthory-Kitsz e Stevie Balch / Aaron Ximm