送込CD★YOSHIKI・X JAPAN/Eternal Melody 帯付
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X-Japan - Eternal Melody
Musica Futurista: The Art of Noises
Musica Futurista: The Art of Noises is a 74 minute collection of music and spoken word from the Italian Futurist movement 1909-1935, including original recordings by Marinetti, Russolo and Balilla Pratella.
As well as vintage 'free verse' readings by Futurist figurehead F.T. Marinetti, the CD includes recordings of the celebrated intonarumori (noise intoners) created by Luigi Russolo, including the compostition The Awakening of a City. Russolo's public performances scandalized Europe in 1914 yet still resonate today. Although his extraordinary ideas met with fierce resistance, it is now clear he exerted a powerful influence on a number of leading avant-garde and experimental composers, initially Igor Stravinsky, George Antheil and Arthur Honegger, and later John Cage, Edgard Varese, Karlheinz Stockhausen and Harry Partch, as well as non-classical electronica and avant-rock. As well as period recordings, the CD includes contemporary performances of other key Futurist works by Balilla Pratella, Antonio Russolo, Aldo Giuntini, Luigi Grandi, Silvio Mix, Franco Casavola, Alfredo Casella, Matty Malneck and Frank Signorelli. (Synaesthesia)
Luigi Russolo: El arte de los ruidos
Cellist Yo-Yo Ma was born in Paris, France, in 1955. He began his cello studies with his father at the age of four and gave his first public recital when he was five. After moving with his family to New York City, he continued cello studies with Janos Scholz, beginning in 1962, followed by lessons with Leonard Rose from 1964 to 1971 at the Juilliard School of Music. He attended Harvard University, where he studied the humanities and played cello in his spare time. His active performing career began after graduation from Harvard in 1976, at which time he was already being compared to two of the twentieth century’s best-known cellists, Mstislav Rostropovich and the legendary Pablo Casals (d. 1973). In 1978, Ma was awarded the Avery Fisher Prize.
Ma made his first recordings in 1979, for the Lyrita label. In 1980, he formed an exclusive relationship with the Sony Classical recording company (at that time, CBS Masterworks), for which he has produced well over fifty issues. His recordings include most of the standard cello repertoire--solo, concerto, and chamber--as well as less-known works and contemporary compositions written especially for him. In the 1980s he developed a performing rapport with pianist Emanuel Ax, violinist Isaac Stern, and violinist/violist Jaime Laredo. Their recordings together are still hailed as among the best of the genre. More recently, Ma has made recordings on a Baroque-period cello.
Ma has also performed and made recordings of the music of the crossover and world genres. Among these are a collaboration with singer/composer Bobby McFerrin; two recordings of Japanese melodies; the "Appalachian" series, with violinist/bluegrass fiddler Marc O'Connor and composer/double bass player Edgar Meyer; tango recordings with--and in tribute to--Argentinian music pioneer Astor Piazzolla; the Silk Road Project recordings; and Ma's recent work with Brazilian musicians, featuring sambas, bossa novas, and other Brazilian music. Ma has currently won fifteen Grammy Awards.
Throughout his career, Yo-Yo Ma has been an avid supporter of music and arts education. While on tour, he regularly conducts master classes for aspiring musicians as well as more informal music appreciation programs for general audiences.
Glenn Gould, Leonard Bernstein: Brahms Piano Concerto No 1
Conductors responded diversely to Gould and his playing habits. George Szell, who led Gould in 1957 with the Cleveland Orchestra, remarked to his assistant, "That nut's a genius."[7] Leonard Bernstein said, "There is nobody quite like him, and I just love playing with him." (de la wikipedia)
