Joe Hisaishi meets Kitano films

Joe Hisaishi es un currante.
Y aquí dejamos una muestra.
Y también un reto de búsqueda.



Joe meets Kitano | pando

Polysics - Polysics or die vista 2007

Polysics - Polysics or die vista

Shinichi Kinoshita & Roby Lakatos - So Gu

Shinichi Kinoshita & Roby Lakatos - So Gu

Kowai onna (2006)

ampliando el negocio
Kowai onna | imdb | pando

Tokyo Jihen-Variety (2007)

Tokyo Jihen-Variety

VVAA-Waikiki Waltz Compilation

コンピレーションにコメントいただきました !!

『それぞれ違った時間の流れの中で生まれたポップミュージックが、
ワイキキの持つ自由さと、遊び心の中で大きな輪になる。
そして僕らは、その輪の中でワルツを踊る。』

野澤サニー徹 (WACK WACK RHYTHM BAND)

『どこか脱力した感のある緩やかなロックの日本勢と、
骨太で大胆な音を聴かせてくれる海外組。それぞれの良さがあるから、
互いに切磋琢磨していくともっともっと面白いことになっていく気がする。
これからもワイキキ、応援してます。』

青木慶則（HARCO)

『よくもまあこれだけたくさんの色をいっぺんにパレットに乗せたものだ。
このパレットは筆でぐちゃぐちゃかき混ぜても
きっと汚れた色にはなら ないで見たことのないキレイな新色になるはずで
あなたはそれを「ワイキキ 色」と呼ぶのだ。』

GOMES THE HITMAN 山田稔明

『正統派USインディバンドから個性溢れるシンガーソングライター、
さらには宅録ポップやアシッドフォークまでとスピーカーから聴こえるサウンドは
多種 多様なのに、不思議と一貫した空気を感じさせる素晴らしいコンピレーション』

オノサトル（セカンドロイヤル）

『17個の小宇宙見つけた
　ロケンローでドープでスラッキーでスウィート』

ウチタカヒデ（音楽ライター / SOFT ROCK ULTIMATE）

『NEW YORK NOISEに対する、POPフィールドからの回答やで。
ビートルズにも、ビーチボーイズにもあこがれたことないねんけど、
なんかすげーええやん、こういうの。
歌は世界を目指す。love...peace...ROCK!! 』

Limited Ex飯田

『ワイキキレコードのコンピは
毎回新しい驚きと斬新なアイディアが詰まってて
いつも楽しみにしてるんだけど。
今回はぼくの想像を遥かに超える素晴らしい内容。
洋楽とか邦楽とかそんな垣根は意味は無く、
良質のサウンドが集まりシーンを提示している。
もしあなたがポップスが好きなら
是非このコンピを聴いて何かを感じてほしい。』

グルーヴあんちゃん

VVAA-Waikiki Waltz

X-Japan - Eternal Melody

送込CD★YOSHIKI・X JAPAN/Eternal Melody 帯付
盤：ＤＩＳＣS 2 に傷が少しあるだけです。
ライナー：良好
帯：良好
ケース：良好
送付は、日通・郵政利用型メール便（無料・記録なし・関東地方の場合、到着まで４～６日程度）、冊子小包：２１０円、又はゆうぱっくを予定しております
他に希望される配送方法がございましたら、ご連絡ください。
複数の落札で、日通・郵政利用型メール便での送付の場合、送料は無料です。
◆送料は「ゆうぱっく」ですと下記になります。
ゆうパック料金６０サイズ】

X-Japan - Eternal Melody

Violent Onsen Geisha - Nation of rhythm slaves

Violent Onsen Geisha (Japanese kanji; 暴力温泉芸者 Japanese kana; ボウリョク・オンセン・ゲイシャ) is a Japanese noise music group, distinctive among many noise acts for frequently displaying a bizarre, sarcastic, and mischievous sense of humor. The group is essentially the solo project of Nakahara Masaya (中原昌也), though early in the group's history Nakahara fabricated a story, for years related as fact in the music press in Japan, that the group had at one time had several other members who died. Such conceptual conceits are common in Nakahara's work and public persona. A typical Violent Onsen Geisha album may contain music done in more conventional musical styles such as disco and hip hop, field recordings, and appropriated or "found" music, in addition to (or even instead of) straight-ahead noise.

Violent Onsen Geisha - Nation of rhythm slaves

Tomoyasu Hotei - King & queen

At 190cm (6 foot, 3 inches), Tomoyasu Hotei is one of the most intimidating people in the Japanese music world. This image has also been put to good use when casting him as the villain in moviesTV commercials, most notably as the sinister man in black chasing Masatoshi Nagase in the Boss coffee ads. Over a long musical career as a guitarist with one of Japan's legendary rock bands, guest artist and solo performer, he has developed a worldwide reputation as Japan's premier axeman and has sold over 25 million albums. Possessing strong skills as both a guitarist and songwriter, he has played in various configurations and styles, but has always been a rocker at heart.

Tomoyasu Hotei - King & queen

Slap Happy Humphrey: Slap Happy Humphrey (1995)

Slap Happy Humphrey: Slap Happy Humphrey

An interesting album released by Alchemy Records (first as an EP, then as a full album) in Japan, then reissued in the United States on Public Bath in 1995. The sound is essentially psychedelic pastoral folk -- with abrupt and unexpected bursts of shattering white-noise coming in from nowhere every once in a while. Bizarre but ultimately accessible (in a peculiar way), like a cross between Angel'in Heavy Syrup and Hijokaidan. Mineko appears here on vocals. This album has since been recalled (supposedly -- some copies may still be out there, although not for long) due to the threat of a lawsuit from Morita Doji (the band forgot to ask for permission to use all the songs, oopsie) and obviously won't be repressed, either....
Como los de Morita Noji, vía Cities On Flame With Rock And Roll

Wada Akiko

Esto si que es una voz. Recuperada felizmente por Konishi Yasuharu y Readymade Records. Here is Wada Akiko.


Wada Akiko

Tani Naomi - Modae no Heya

First time ever legit reissue of this ultra-rare erotic artifact. Tani Naomi was Japan's finest bondage and S&M Queen who tore up cinema screens during the better part of the 1970s. This album, originally recorded and released in April 1979 was Tani's farewell statement to the world of porn. Here she delivers one of the finest examples of Showa-induced feminine erotics, hovering sexually tinted narrations over a background of kayokyoku themes and lush orchestrations. Tani recorded this album to commemorate her withdrawal from the porn business. Seen in retropsect, the disc stands out as one of the top 5 erotic albums to come out of Japan. Still her musical endeavor is an odd one amongst the other Iroke chanteuses. Right from the opening on, Tani's direction becomes clear with her narrating in a teasingly melancholic way over a kayokyoku backing track. The effect is stunning, an utterly fornlorn sense of the Showa erotic. Compared to the hard stuff she depicted on screen, the album feels muted in a cloud of pink. But still, she brilliantly succeeds in conveying the atmosphere of true Japanese eroticism, a fleeting and fragile emotion that evaporated in the cynical miasma of the eighties. On this recording, she gave voice to a libidinousness and the sensuality that trembled on the brink of extinction, the sexual appetite of an era soon to be swallowed up by the destructive forces of the 20th century. Tani naomi was truly the last to emit the intoxicating perfumes of Showa eroticism, as "Modae no Heya" perfectly illustrates. CD will be out on February 27th. Housed in a deluxe mini-LP sleeve styled jacket, complete with linernotes, obi and original artwork. Digital remastering from original masters. Limited one time only press of 1300 copies. SOLD OUT

Oh! si, este si, ahhhhh!

Tani Naomi - Modae no Heya

Ike Reiko - Kôkotsu no Sekai

Tiliqua Records continues its quest of digging up lost and forgotten sonic gems out of the bowels of oblivion. This time Tiliqua Records is more than thrilled to be granted the permission to unleash one of Japan's rarest erotic artifacts being Ike Reiko's sole recorded album out of 1971. Heralded by those few who have been blessed with an original copy of this ultra rare disc as the ultimate Iroke Kakyoku album that even surmounts Sandra Julian's "Sexy Poem" on the brutality scale as far as unabashed, urbane eroticism, a calculated addition of licentious overtones and unbridled carnal insinuations are concerned. Ike Reiko is mainly known as one of Japan's finest early seventies porn and pink violence starlets, tearing up screens with her naked presence in such films as "Sôkatsu Rinchi" of Ishii Teruo, the The "Sukebanchô" series and "Onsen Mimizu Geisha" of Suzuki Norifumi. Until now, this sonic gem has never been reissued and Tiliqua Records acquired the legal rights from Teichiku Records in order to restore this masterpiece to its former glory and introducing it anew. In an attempt to describe the sonic sleazyness the disc venture into, here is a snippet out of the extensive linernotes. "Her erotic presence flutters across a multitude of erogenous non-verbal modes - moaning and uttered shrieks of ecstatic pleasure, sibilating suffocated whispers of excitement, and grunting and growling like a bitch in heat. When Ike does sing, it is in a subdued, husky voice about sex, submissive love and seduction. Although all the songs are cover versions, Ike confines herself to whispering but a small part of the original lyrics, spending the remainder on guttural erotic incantations backed by the desolate sound of a cheesy organ and a muffled yet ecstatic mellifluous vocal sound that is reminiscent of the 13^th Floor Elevators’ Tommy Hall breathing down a jug. The entire recording is suffused with a unique atmosphere, a ripe and heady Japanese eroticism now sadly overwhelmed by the intrusive and infelicitous import of cheap Westernized thrills and assorted uneuphonious cultural junk. Nevertheless, Kôkotsu no Sekai launched Ike as the nightingale of the pink new wave." (JW) One-time only legit and limited reissue housed in a sturdy mini-LP styled fold out jacket and adorned with obi strip. Original artwork. Digital remastering from master tapes. Comes with extensive liner notes by Johan Wellens. 1st, 2nd & 3rd pressing each of 1000 copies & 4th press of 500 copies: SOLD OUT

A gozar amigos !!!

Ike Reiko - Kôkotsu no Sekai

Morita Doji: Goodbye (1975), Mother Sky (1976), A boy (1977)

Morita Doji: Goodbye | Mother Sky | A boy

So if you don't know, Morita Doji was a dark dark (like Comus or Ataraxia dark) Japanese acid folk/pop songstress who recorded in the seventies and then turned her back on music. Everything I've heard by her has been great.

Japanese Rockin' Psyche & Punk, '65-'71: Psychedelic Of Love

Japanese Rockin' Psyche & Punk, '65-'71: Psychedelic Of Love

Karera Musication: Ichi The Killer (2001)

Karea Musication: Ichi The Killer

Banda sonora para la película de Takashi Miike. Karera Musication es un proyecto paralelo de los Boredoms.

Our last days-Cassher official album

Casshern está ambientada en un mundo futuro no muy lejano, tras numerosas guerras y batallas las naciones de oriente han logrado dominar al continente europeo. Un investigador genético realiza el descubrimiento de las neo células, éstas permiten una rápida regeneración y mejora de las partes dañadas de un ser humano. Tras el rechazo del gremio científico, el ejército ve en este descubrimiento una posibilidad para crear el ejército definitivo e invencible.

No todo sale como se esperaba y el experimento da lugar a los Neo sapiens, soldados vencidos en combate con un pensamiento único: venganza. Estos Neo sapiens se enfrentarán al hijo del descubridor de las neo células, muerto en combate y resucitado gracias a éstas bajo el nombre de Casshern.

Un bodrio de peli que lo flipas.

Our last day. Casshern Official Album

Guernica - Kaizo eno Yakudou

An active participant in the new-wave punk scene, Ueno began his career with his first group called "eight and a half" in 1978. After its demise he joined the group “Halmens” with whom he worked from 1979 - 1981. In 1980, he also formed the group "Guernica", which attempted a synthesis of pre World War II avant-garde themes with popular Japanese culture. Guernica issued their first LP entitled ‘kaizo eno yakudou’ (throbbing to the alteration) in 1982 for Haroumi Hosono’s Yen label. It remains today one of the most compelling articles to emerge from that influential “technopop” label. In 1983 Ueno’s first solo works also began to appear on Yen and he collaborated with the graphic artist Keiichi Ota on an LP composition of Ota’s lyrical works entitled (Jingaidaimakyo). In 1984 Ueno began giving live performances of new works specially composed for Dadaist and Surrealist silent movies and the following year released an album titled "Music for Silent Movies".

Guernica - Kaizo eno Yakudou

Shuji Inaba: The Rapture Of Being Destroyed... (2004)

Shuji Inaba: The Rapture Of Being Destroyed...
Shuji Inaba is a Japanese avant-folk singer and guitarist who hasn't reached the same level of documentation as peers like Kan Mikami and Kazuki Tomokawa. No 13 CD box set for Shuji yet! And some might find the prospect of such a box set quite frightening -- a single disc of his raw acoustic guitar playing and whisper-scream vocalizations will be more than enough for a lot of folks. Others will find Inaba's Rapture Of Being Destroyed to be a harrowing yet compelling listen. With some tracks filled with stark outbursts from silence and others more 'song' like, this is a great record recommended for those who already dig the likes of Dead Raven Choir and the aforementioned Kan Mikami.. (Forced Exposure)

Do as infinity

Vamos con algunas producciones de Seiji Kameda. Esta vez un 3 x 1.

Do as infinity: Break of down / Deep forest / New world